How to arrange light and dark areas often determines whether or not a painting has a certain feel.  One of the reasons I like painting urban streets is because tall buildings are like trees in a jungle, making the interplay of light and shadows very interesting - and challenging to tackle.

So what's the best way to handle this?  Some artists do a lot of preliminary work before painting, such as thumbnail sketches and photo alterations with Photoshop to arrive at the best design of light and dark.

Maybe I am too impatient but I don't do these things.  Once I am inspired enough, I just dive in and rely on the initial inspiration to guide me through the process.  But what an elusive idea that is because it escapes me so easily if I am not really focused.


San Diego 100 (#12) - Downtown

A larger image of this painting is available on request.

Media: original watercolor
Image Size: 11.5 x 8.25 in. (on 12 x 9 in. paper)
Mat/Frame: No
Purchase: Sold