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« Daily Painting - Point Loma Tidal Pool | Main | Daily Painting - Julian Christmas III »
How I Paint (4) - Power of Imagination
by Keiko Tanabe on 12/16/2008 12:42:53 PM


Del Mar 15th Street, San Diego
I have posted three How I Paint entries so far, each time showing a step-by-step approach from the beginning to the finish of a painting.  Today I will take a shot to demonstrate a different possibility when painting from a photograph, that is, the power of imagination.

What I am going to show below is a result of an impromptu exercise: During a trip a while ago, I was cooped up indoors because of heavy rain.  A view from my room was not very inspiring, so I decided to paint, using the only photo that I had at hand (shown above) of an intersection on a main street in the town of Del Mar, California.  While I was painting, I started seeing mental images of this street in various conditions.  So I thought I’d see how many more different scenes I could paint using this photo as a design foundation.  I let it work my imagination – And did I have fun!  I continued painting the next day, too.

  My first attempt was more direct and more representational while I focused on capturing the atmosphere of this familiar sight (Del Mar is not far from where I live).

  Next I imagined what it might be like later in the day when long shadows connect all the shapes.

  A sunset time is when everything glows, so I put the warm orange on all the surfaces that receive the sunlight.

 After the sun sets, bright colors and details recede into the darkness.

Just because the photo is horizontal, a painting doesn’t have to be.  Here are two examples in the vertical format; one rainy day and the other mid-morning.

     

Throughout the exercise, my mind focused on depicting the feel of this town that is small, cozy, and laid-back.  Also inspired by the experiment, I made larger paintings, Del Mar 15th Street I and Del Mar 15th Street II, later in my studio.

I am not a 100% plein-air landscape painter, but I agree whole-heartedly what we can learn from the outdoor painting experience is immense.  That said, working in the studio makes more sense to many, including myself, for various reasons.

What is important is not what we capture in our photograph but what inspired us to take that photo in the first place.  With this in mind, we can let our imagination lead us so our creativity won’t become a prisoner of a photograph. 

Please feel free to send me your comment.  I enjoy communicating with you.

- Visit my website to see more California landscape paintings.



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Related Posts:

How I Paint (1) - Las Hermanas

How I Paint (3) - Paris North Station

How I Paint (2) - Procida IV




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Post Details:

Permalink | 9 Comments
Topics: California Landscapes | How I Paint | Sold Works 
Technorati Tags: California Landscapes | How I Paint | Sold Works 



Elizabeth Marcel
via web
Hi Keiko,

I am combining a show of on-site paintings and portraits. It is of a particular place. They are live paintings of people playing music, that I paint at the site. And portraits of these people that I paint in my studio. There is a duality of a loose quick style opposed by a more clear precise style. I want to do this. I need to communicate this verbally, why it works. Do you have any suggestions? My fear is that the precise paintings will be eliminated from the show. But they are what comunicates the humor, these are the portraits. I appreciate anything you have to say. Bye E
Keiko Tanabe
via web
Elizabeth, thank you for asking for my suggestion. I think the success of any art show depends on how well you plan and you need to answer important questions like "what’s the purpose of the show?" and "is it worth (your) effort, time and money?" I have never been involved in a show that you described (Sounds interesting, though), so I can’t speak from my own experience. Have you thought about posting your question on art discussion boards such as www.wetcanvas.com? I believe hearing opinions from many different artists will help you see more clearly what you really want to focus on. Good luck!

Sheila Vaughan
via web
Dear Keiko, I have been enjoying your paintings since I first saw you on the Daily Painters Gallery. I had to say how much I agree with your statement here about painting from photographs - that the most important thing is what inspired us to take that photograph in the first place. You have stated very concisely what I was trying to say in my longer blog entry a few days ago. Sheila
Keiko Tanabe
via web
Sheila, thank you for your comment. I read your related blog entry. Whether a painting is from photos or from life, it can be equally compelling, in my opinion. The artist's skill level, talent, emotional involvement - they all have to work together to make a meaningful painting. I look forward to seeing more of your work!
cat
via web
wow, are those all different paintings? I'm amazed that you can paint so many different ones from just one photo. Its a great exercise on the power of imagination. it reminds me of one guy on another blog who was knocking someone for painting from a photo, and how dumb he thought that was. he should take a look at this page. thanks!
Keiko Tanabe
via web
Cat, thank you for your feedback. There's a lot to learn both from life and photos. I think it is useless to debate which way is right but we must focus on what really inspires us to paint. Hope you will visit me again!

Shazia
via web
It was your blog that encouraged me to start blogging and yours is still one that I return to again and again. Thank you!
Keiko Tanabe
via web
Shazia, I am so happy to hear you have joined us bloggers. I hope you will enjoy the process and make it an important part of your business. And thank you so much for following my blog.
Fakhra
via web
Looking forward to this post, one with great liable and very useful.









 

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